In Conversation with…
Ros Atkins
The BBC’s Ros Atkins is the face of many an unfolding story. He’s also known for his short ‘Explainer’ videos distilling complex issues into accessible insights. This led to the publication of his book ‘The Art of Explanation: How to Communicate with Clarity and Confidence’. He spoke to David Leck about why communication impacts every aspect of our lives, the need for absolutely clarity, and ‘chunking’.
In Conversation with…
Ros Atkins
The BBC’s Ros Atkins is the face of many an unfolding story. He’s also known for his short ‘Explainer’ videos distilling complex issues into accessible insights. This led to the publication of his book ‘The Art of Explanation: How to Communicate with Clarity and Confidence’. He spoke to David Leck about why communication impacts every aspect of our lives, the need for absolutely clarity, and ‘chunking’.
Ros Atkins, Journalist and Presenter, BBC
David Leck (DL): Why this book and why now?
Ros Atkins (RA): I wrote the book for a couple of reasons. The main one was that, as our (BBC) ‘Explainer’
videos became more popular, lots of people were asking: ‘How do you go about explaining often complex stories and subjects in relatively short periods of time?’ Often, I would reply I have a system I use to try and communicate effectively, both as a journalist and outside of my work.
When I would mention that people would be often interested. So, I thought, maybe there's something here worth sharing. The second thing is that, as I've gone through my career as a journalist and doing other work, I've started to understand more and more how central effective communication to getting things done in a way that benefits all involved in that process.
I feel passionately that when we all pay attention to communication, it makes a difference to our lives. And so, you put those two things together and I decided to see if I could write a book.
DL: The great skill for which many of us know you is your ability to pack so much information into so little time - and to make someone feel an explanation is being delivered just for them. These seem like hugely important skills for all walks of life especially in business and navigating careers.
RA: I think anytime you're communicating you must be precise about the information you're passing on. If you can be purposeful in your understanding and remain focused on the audience so you tailor that information to work for the people you're trying to communicate with, that's going to make a difference, whether you're going to the doctor, in a negotiation at work, meeting a client, or in my case, explaining a complicated story.
These fundamentals cut across all communication in our working life. I guess the book is my effort to make the case that all those things are worth paying attention to because I would argue investment will pay you back in a range of different ways.
DL: And I think most of us can see that when it doesn't go right, it's just a waste of time, resources and energy?
RA: In the end, communication is about someone or an organisation deciding they have something, some information, they would like to pass on to particular people. We don't communicate in a vacuum. We communicate with particular people in particular circumstances, and the very act of communication is based on our desire to pass on information. It’s paying attention to what precisely we're passing on and how precisely we're passing it on. It might seem obvious to say so but when we pay attention to those two things we're much more likely to achieve the outcome. This, after all, was the reason we started communicating in the first place.
And you're quite right, when we don't pay attention to that we risk putting lots of resources and effort into different types of communication that don't achieve that. It’s reasonable to ask, if you haven't managed to pass the information on, what was the purpose of that piece of communication.
DL: You’ve spoken about the power of informal networks. At the PSMG we often talk about the importance of personal PR and branding and it seems a willingness to invest in our networks must be a part of that?
RA: I'm a huge believer in informal networks. I think that comes through clearly in the book. I believe so passionately in them because I can't do this alone. There are people all around me at the BBC and in my work beyond the BBC, who will both help me improve the work I do and will also give the work I do the best chance having impact. And without their support and input, I'm much less likely to be able to make progress with the ideas I'm trying to get off the ground or the content I'm trying to create.
Talking with as broad a range of people we can about the work we do and the industries in which we work has enormous benefits. I learn from people. They improve my ideas; they change my perspectives. And I'm constantly trying to instigate those conversations not just from a selfish point of view, though, of course, there are huge benefits for me. It’s also because I think if you're part of a larger organisation, those informal networks operate in several different directions.
Of course, some people will come to me and ask for my perspective on something, and I'm very happy to share that. But for me, my ability to communicate and share my ideas with as broad a range of people as possible has a whole raft of benefits. The most important thing is it gives a good idea the best chance of happening. If we work in big organisations, we want our best ideas - whether I've had it or someone else has had it - to have the best chance of flourishing. Informal networks are crucial to the best ideas having the chance.
DL: Our members often work in complex organisations – and are non-lawyers/accountants working with lawyers and accountants. But when it comes to the marriage of ideas with power, surely this can only ever be successful when energies are invested in all those with an input?
RA: I've always been fascinated in how organisations work and how they interact with other individuals or businesses they work with. It seems to me that if you want your work or an idea to be able to flourish and have impact and be beneficial to your business and your clients, you must understand the environment in which it's working.
One example is my explainer videos which we started making in late 2019. I'd spent most of that year studying deeply how video was working in the news media, looking at the work I'd done in the past, which hadn't done as well as I hoped it would do. I was both examining my own work, but then also looking at the broader industry context. I couldn't possibly have done that without speaking to lots of different people in different places within the structures in which I was working.
I've always been a keen student of the environment in which I'm working because I think it allows me to make smarter decisions about the ideas tat, I develop but, also and crucially, how best to give those ideas a chance.
DL: You talk about, early in your career, developing a technique to catch, sort, grade, fillet, pack and deliver information. It seems such a powerful device, especially now when we’re all bombarded with so much information.
RA: The responsibility of communication always lies with the communicator, not the audience. So, if you are pushing too much information towards the people you're hoping to communicate with, and they are quite reasonably feeling overwhelmed or confused, that's your problem.
It is our responsibility as people communicating to sift through the information we want to pass on, to assess what information is most essential to the purpose of our active communication, simplifying it so it's as easy to understand as possible, thinking about what form it should be in (whether it should be an email, a longer report, video or a face-to-face meeting or a PowerPoint). All those decisions will be affected by the people you're trying to communicate with.
And I would argue all hat decision making, all that sifting and distilling and preparing and passing on, it's all our responsibility. And the good news is when we take responsibility the chances of the people we're communicating with engaging with what we're having to say goes up.
I've recently done a BBC Radio 4 series called Communicating. One of the people I interviewed was Michael Johnson, the brilliant broadcaster and Olympian. He talks about how, as a young man starting to work with his coach, starting to get very serious about his athletics, he took responsibility for telling his coach as effectively as he could what he was experiencing, because he understood that for his coach to be effective, he had a part to play in passing on his experience of training.
I love listening to that because it emphasised something I think all the best communicators understand - it's their responsibility to get the information they want to pass on across in the best possible form, to be useful and accessible to whoever they're trying to reach.
“We don't communicate in a vacuum. We communicate with particular people in particular circumstances, and the very act of communication is based on our desire to pass on information. So, for me, it’s paying attention to what precisely we're passing on and how precisely we're passing it on.”
“We don't communicate in a vacuum. We communicate with particular people in particular circumstances, and the very act of communication is based on our desire to pass on information. So, for me, it’s paying attention to what precisely we're passing on and how precisely we're passing it on.”
DL: We all know the world has become ever-more frenetic and people are busy, but a phrase that often springs to mind for me is ‘more haste, less speed’.
RA: All of us, every single day, will be on the receiving end of more information than we can possibly consume. That should be our starting point when we're communicating. You know, whenever I'm sending an email, I'm thinking, the person I'm sending an email to has may already have received more emails today than they can possibly read. That's the environment in which we’re all operating. It's highly competitive. I take making my communication highly competitive seriously. If I don't, the chances of it being consumed is low.
There is a more positive side of this. Because we all feel overwhelmed, if someone does communicate with us effectively on a subject where we do want the information, where the information is put in a form that's easy for us to consume, where they have clearly done the work to make it easier for us to understand what they're saying and act on what they're saying, it affects how we feel about that person. We can see they've put the time in.
There's a brilliant academic - Professor Todd Rogers at Harvard University - who I quote in my book, and he talks about long emails being an unkind tax. It’s a fantastic phrase. if you send a long email full of information that doesn't really need to be there in a form that's hard to consume, you are essentially saying to that person, ‘I need 10 minutes of your time so that you can do the work to find the stuff that matters most’.
It's a tax on their time, but we can twist that round and make it more positive. When you put the effort into communicating effectively and make it easy to consume, it can feel like you are giving them time because they don't have to do that work. You are making it as easy as possible for them.
In my experience, when we communicate effectively and with purpose, with respect for people's time, they notice they can access the information more easily, and there are benefits there. But they also notice that you're making their life easier. I'm sure anyone reading this will recognise we are receiving more information than we can consume. So, if someone's making that experience easier, it's likely to affect how they feel about the organisation or the individual.
DL: Isn't it just thinking about something as automatic as an email and how what you want it to achieve, how you want the person to respond to it?
RA: Yes, and not everything needs to have an immediate outcome. Sometimes I'll ask for a meeting with someone who has a particular role I want to understand, and you can kind of see they're thinking, is he going to ask for something? I'm not. I'm just interested in how does their role work? How does it fit into the organisation? And that has huge value.
It's about being as purposeful as possible in how I'm communicating, interacting and thinking. Is this something which is a benefit to me, to my organisation and to the people I'm meeting? And if the answer is ‘no’, of course, it's reasonable to question why are we all spending time on this?
DL: Tell me about chunking?
RA: I love chunking. This is a is a memory technique that allows you to recall lots of detailed information within helpful structures. I started experimenting with it when I began to do a lot of live television coverage on big events or rolling news. Initially, I found it quite hard, because it it is hard. In those moments when you're on-air for long periods of time, you can have some notes, but it's not realistic to have pages and pages. You wouldn't be able to reference the point you want to find. So, you need to be able to talk fluently with detail. And that's difficult.
I landed on a what I learned was a memory technique called chunking. Essentially, this is what I’m going to remember on a subject. 'Om going to remember these four points, these four facts, or these four information nuggets. It might be a quote, a fact, a statistic, a piece of context.
On subject B, I'm going to remember two points. On subject C, I'm going to remember five, and you are making in advance decisions about the information you think is essential to include, and you are discarding all the other information that you've got which is perfectly valid, but which you will not have time to use.
You front load huge amounts of the work in terms of sifting and distilling before you're speaking when it matters. ‘Marketing’ could, say, be a title. There might be another you title ‘Clients’. Before you know it, you're able to access distilled, organised, precise information without notes and to speak through them in a way that is very precise and very consumable.
“The responsibility of communication always lies with the communicator, not the audience. So, if you are pushing too much information towards the people you're hoping to communicate with, and they are quite reasonably feeling overwhelmed or confused, that's your problem.”
DL: It’s not every business writer who manages to credit Steely Dan in a book (younger readers, think a sort of 1970s Coldplay). What comes across – and one of the reasons I enjoyed the book so much – is you use your curiosity and interest in a whole range of things outside your professional sphere to inform your thinking.
RA: I've always been interested in why people are making me feel as I feel when they're communicating with me, whether they're actors or comedians or musicians or television presenters or journalists or whatever the case might be.
Obviously, first and foremost, I know these artists because I've grown to love their music but, in the back of my mind, I've always been thinking what are they doing that makes me love their music so much. And in the case of Steely Dan, it was frankly revelatory when I was watching a documentary about how they made one of their most famous albums.
You can't just be well rehearsed. You've got to create something that adds up to something people want to listen to. And this, for me, was revelatory, because that is exactly what I try and do, whether giving talks about this book, whether presenting on the radio, making my explainer videos. With all these different types of communication, I am trying to be as precise helpful and efficient as I possibly can.
DL: You’ve recently launched a new podcast in which you talk to some of the best communicators. Do these people possess any common skills that singles them out?
RA: It was very important to us that we had a whole range of different people. We’re thrilled with the guests who agreed to take part from Michael Johnson, a former speechwriter for President Obama (Sarada Peri), and Martin Lewis, one of the most high-profile journalists in the UK. There were two things that were consistent.
One is that they all take communication seriously - t's not a secondary thought that comes after all the other duties that come with their roles. For them, communication is at the heart of the work they do, and they all understand and emphasise that when we communicate well, it has benefits across everything else we do in our working lives. They put communication at the centre of their work.
The second is they are all, in their different ways, emphasising the importance of constantly thinking about your audience, constantly thinking about, who is it that I'm communicating with? It can be easy to see communicating as being about me. I've got something I want to say, and I need to pass it on to the to the world or pass it on to an individual. And as such, we can sometimes communicate in ways that are shaped by our requirements, not shaped by the requirements of the people we're communicating with.
DL: What are the key things you’d like people to take away from the book?
RA: What would this person with whom I’m communicating need to know from me? Then you think about, well, how much time do I have to communicate with them? What do I know about how they like to be communicated with, and what are the reasons they might want this information. Put the personal people you're communicating with at the centre of the decisions you take it is transformational in terms of how effectively you communicate.
The other thing I is that there are things we can all do today that will instantly improve how we communicate. There are very difficult communication challenges that we might need to work on for weeks or months or even years. There are things that we can do today that will instantly improve how we're all communicating with people. Towards the end of the book, I emphasise that, rather than taking on every piece of advice, perhaps pick one or two or three things which particularly resonate with you, experiment with them.
If they go well, try something else. Because in my experience, and I've been experimenting with communication for years, it's great fun to think, okay, this week, I'm going to see if I can just improve how I do this, and then see if people are reacting to me differently. If they aren't, well, okay, what else could I do? See it as an ongoing process, rather than something that must be fixed.
DL: Finally, and as it appears to be on all our minds, any thoughts on AI?
RA: There’s no doubt AI is going to be transformational in many ways for how we work and live. I don't think anyone disputes that, but we're early on in understanding the ways in which that’ll manifests itself. In the case of the BBC, it is on-the-record as saying it is exploring ways that it can use AI in a responsible fashion. The priority for the BBC – and I’m sure it’s one shared by readers in the firms they work with - is using it responsibly and deciding how to use it. There’s no disputing it is going to have a huge impact across a whole raft of different areas
‘The Art of Explanation: How to Communicate with Clarity and Confidence’ is out now in paperback from Wildfire. It’s also available in audio. BBC Radio 4’s ‘Communicating with Ros Atkins’ can be heard on BBC Sounds. You’ll find Ros on X and Instagram.
Front cover image © Jeff Overs
Snap Shot
2018 - Global Law Strategy & Business Development Lead EY 2016 - 2018 Business Development Manager BDO UK LLP 2011 - 2015 Senior Business Development Executive Kingston Smith Consulting LLP
2008 - 2011 Strategic Analyst, Regulatory Risk
DLA Piper
1997 – 2003 Bachelor’s Degree – Law/Politics and International Studies
Murdoch University (Perth, Western Australia)
Getting to Know You
Best bit of advice you’ve been given?
Before you start, think about who will receive communication from you and how they will be expecting to apply that communication. I still utilise this approach for my e-mails, client presentations and internal discussions.
Best bit of advice you’d give someone at the start of their career?
Take a bit of time to understand the business models in the organisation and industry in which you’re operating. How are the most successful organisations making money? Now drill down to your role within your firm, make sure you are delivering at a high standard - but don’t lose sight of the bigger picture.
What led you to this career?
I think my cross-cultural background spurred me to work in a role where I could bring together people from different perspectives and solve problems. When I joined the professional services world, I saw quite quickly there was a better way of doing things, so I have devoted the last 15 years to helping firms maximise growth potential by changing behaviour.
Best holiday destination?
Not many places come close to walking on one of the world-class beaches in my hometown in Australia, but I do love a week away in a European villa. I also like dabbling in the local cuisine while enjoying magnificent views.
Favourite pastime?
While I would love to say watching cricket or reading, I enjoy spending the bulk of my free time in my five-year old’s make-believe world. Lego, dominoes, playing school or princesses – I am there!